别的不知道，但同意“贝多芬听多了，就会有种抵触感。”俺这几天天天听贝多芬的Symphony No. 5，想从里面汲取点儿力量。到最后觉得是high-strung，"Come on, I just want to go limp now." ;-)
-fangsongfangsong(放松放松);
2005-4-28(#2266252@0)
看过。One of my most favorites!!! Timeless piece though shot in 70's. FREE WILL IS VERY DANGEROUS. CURB YOUR FREE WILL!!! That's the message I was given.
-fangsongfangsong(放松放松);
2005-4-28(#2266739@0)
The main character loved Beethoven's 9th. But he was forced to listen to it over and over again while he was also forced to watch horrible and disgusting movies. Since then, he could not stand Beethoven's 9th.
-klassische(老音乐迷);
2005-4-28(#2266736@0)
Noted down. Thanks. Only paid attention on plot at the time when I watched it.
-fangsongfangsong(放松放松);
2005-4-28(#2266787@0)
音乐确实是好音乐，只是写它们的人都有些病态。比如马勒，不是那种immediately accessible and universally loved作曲家，非要生活经历同样坎坷才容易理解他。Are you in China or still in Toronto?
-lifesucks(阿斯兰-Cagali :));
2005-4-28{37}(#2266803@0)
对，就是文艺作品的创作主体与欣赏的趣味的异化问题。再次借用贝多芬的话：Es muss sein. (对，非如此不可。)！
-yukotanaka(尤子);
2005-4-29(#2267681@0)
very few art works are universally love. 反过来, 如果大家整天都讲门德尔松的音乐如何之好, 如何地纯真, 我们听久了也会说: 太简单了, 没劲. 比如说, 大家都说莫扎特如何地伟大, 但我听多了也会有一写疲劳: 怎么都一个味?已经被流方了.
-klassische(老音乐迷);
2005-4-29{13}(#2269167@0)
I agree. 风格始然。历史上几个innovative/revolutionary作曲家会经历风格上的转变，比如早期的贝多芬和晚期的贝多芬就完全不一样，早期的勋伯格和后来的勋伯格也是。
-lifesucks(阿斯兰-Cagali :));
2005-4-29(#2269207@0)